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Group Show to Come Thickly Walker Art Center April 28

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Art center in Minnesota, United States

Walker Art Center
Walker Art Center 03.jpg
Established 1927 (1927)
Location 725 Vineland Place
Minneapolis, Minnesota, U.s.a.
Coordinates 44°58′05″N 93°17′19″W  /  44.96806°Due north 93.28861°West  / 44.96806; -93.28861 Coordinates: 44°58′05″N 93°17′nineteen″Westward  /  44.96806°North 93.28861°Westward  / 44.96806; -93.28861
Type Art eye
Director Mary Ceruti
Website walkerart.org

The Walker Art Center is a multidisciplinary contemporary art centre in the Lowry Loma neighborhood of Minneapolis, Minnesota, The states. The Walker is one of the most-visited modern and gimmicky art museums in the The states and, together with the side by side Minneapolis Sculpture Garden and the Cowles Conservatory, it has an annual omnipresence of around 700,000 visitors.[one] [2] The museum's permanent collection includes over thirteen,000 modernistic and contemporary fine art pieces including books, costumes, drawings, media works, paintings, photography, prints, and sculpture.[iii]

The Walker Art Eye began 1879 as an art gallery in the home of lumber baron Thomas Barlow Walker.[iv] Walker formally established his collection equally the Walker Art Gallery in 1927.[five] With the support of the Federal Art Project of the Works Progress Administration, the Walker Art Gallery became the Walker Fine art Center in January 1940. The Walker historic its 75th ceremony as a public art center in 2015.[6] [7]

The Walker's new building, designed past Edward Larrabee Barnes and opened in May 1971, saw a major expansion in 2005. Swiss architects Herzog & de Meuron'south addition included an boosted gallery space, a theater, restaurant, store, and special events space.[8]

Programs [edit]

Visual arts [edit]

The visual arts program has been a part of the Walker Art Middle since its founding. The programme includes an ongoing cycle of exhibitions in the galleries every bit well equally a permanent collection of acquired, donated, and commissioned works. Since the 1960s, the Visual Arts program has commissioned works from artists to exhibit and held residencies for artists including Robert Irwin, Glenn Ligon, Barry McGee, Catherine Opie, Lorna Simpson, and Nari Ward.[nine]

The Walker'due south drove represents works of modern and contemporary art, particularly focused later on 1960. The Walker'southward holdings include more than thirteen,000 individual pieces including books, costumes, drawings, media works, paintings, photography, prints, and sculpture.[iii] In 2015, the Walker celebrated the 75th anniversary of its founding equally a public art center with a yearlong exhibition, Art at the Eye: 75 Years of Walker Collections.[10] Some drove highlights include:

  • Chuck Close, Big Cocky-Portrait [11]
  • Franz Marc, Dice grossen blauen Pferde (The Large Blue Horses) [12] This painting has been removed from the exhibit and there are no current plans to brandish it.
  • Edward Hopper, Part at Night
  • Yves Klein, Suaire de Mondo Pikestaff (Mondo Pikestaff Shroud) [13]
  • Goshka Macuga, Lost Forty [14]
  • Andy Warhol, 16 Jackies [15]

Performing arts [edit]

Live functioning art is a major office of the Walker'southward programming and it is seen as a leader in exhibiting the medium.[16] In 1940, the Walker began presenting local dance, verse, and concerts, largely organized by volunteers. By 1963, this grouping had become Center Opera, the Walker'southward performing arts program focused on exhibiting new works emphasizing visual design. In 1970, Center Opera disbanded from the Walker and became Minnesota Opera.[17] The same year, Performing Arts was officially designated as a department of the Walker Fine art Heart.[xviii]

Since the 1960s, Performing Arts at the Walker has commissioned 265 performance works.[19] In improver, the department programs a 25-show season every year that includes performances ranging from performance art, theater, trip the light fantastic, spoken discussion and music.[20] It is one of the largest performing arts programs of its kind found in a museum in the nation. A number of artists have long histories working with and performing at the Walker, most notably choreographers Nib T. Jones, Meredith Monk, and Merce Cunningham, for whom the Walker staged the retrospective Life Performs Art in 1998.[21] Every bit a longtime associate of the Merce Cunningham Dance Company, the Walker was able to acquire 150 art objects central to the company'south history from the Cunningham Foundation in 2011. The agreement included sculptures, sets, costumes and other works past artists similar Robert Rauschenberg and Jasper Johns.[22]

Moving image [edit]

The Walker Art Eye'southward motion picture and video programs characteristic both contemporary and historical works. In the 1940s, the Walker identified moving images (mostly movies, but also experimental films) as integral to contemporary life. Artists of that time were experimenting with film's formal properties, such as light, motion, and audio, while besides separating film art from conventional narrative cinema.

In 1973, the Film/Video Section was officially formed and the Edmond R. Ruben Picture show and Video Report Collection was established, along with an endowment to fund the evolution of the archive. Ruben, a leading figure in moving picture exhibition in the Upper Midwest, and his wife Evelyn believed in collecting films equally a way of preserving the art course. Today, with more than eight hundred fifty titles, the Ruben Collection brings together classic and contemporary picture palace likewise as documentaries, advanced films, and video works by artists. It holds works past visual artists that range from Salvador Dalí, Marcel Duchamp, and Fernand Léger to all-encompassing contemporary work by William Klein, Derek Jarman, Bruce Conner, Marcel Broodthaers, Matthew Barney, Nam June Paik, Wolf Vostell, and experimental artists such as Paul Sharits and Stan Brakhage.[23]

Design [edit]

The Walker Fine art Center maintains a professional person, in-business firm design and editorial department to fulfill its various communication needs. The department is responsible for the blueprint and editing of all printed materials, including the creation and planning of publications such as exhibition catalogues, bi-monthly magazines, and books, equally well as exhibition and event graphics, signage programs, and promotional campaigns.

Additionally, the department organizes design-related projects and programs, such as lectures, exhibitions, and special commissions. Over the course of its 60-plus year history, the section has organized many important exhibitions on architecture and design, and has served every bit a vital forum for gimmicky blueprint problems, bringing hundreds of globe-renowned architects, designers, and critics to the Twin Cities through programs such as the Insights pattern lecture series, which celebrated its 30th twelvemonth in 2016.[24] During the 1940s, the Walker built two "idea houses" exhibiting the latest in building materials, furnishings and architectural design trends.[25]

From the late 1960s until the early '90s, the museum's design curator Mildred Friedman helped excogitate and stage exhibitions on, among other topics, the Dutch avant-garde motion De Stijl, the blueprint process at the Modernist furniture company Herman Miller, the history of graphic blueprint, and traditional and gimmicky Japanese arts, crafts and civilisation. For more than xxx years, the Walker has also offered the Mildred S. Friedman Design Fellowship, a yearlong program for young designers.[26]

Digital media [edit]

The Walker's New Media Initiatives group (renamed Digital Media in 2017) oversees mnartists.org, an online database of Minnesota artists and organizations that provides a digital gathering identify for the local arts community. Through a partnership with the Minneapolis Institute of Fine art, the Walker manages ArtsConnectEd,[27] an online resource for arts educators that draws from both institutions' permanent collection resource.

In 1998, the Walker caused äda'web, an early net art website curated by Benjamin Weil and designed by Vivian Selbo.[28] The first official project of äda'web went up in May 1995, although it had been informally active since February of the same year.[29]

In 2011, the Walker website was relaunched as a newsstyle website that features essays, interviews, and videos by both Walker staff and invitee writers, too every bit curated news links about global fine art and culture. The relaunch was met with positive reviews effectually the art world.[30] [31] [32]

Instruction and public programs [edit]

Learning is emphasized as a cadre experience at the Walker through a mix of instruction programs, community building efforts, and interpretive projects. The section conducts community, family unit, interpretive, public, school, teen, and tour programs, likewise as mnartists.org. Each partitioning offers programs and activities in visual art, performing arts, film/video, new media, design, and architecture. To inform these undertakings, the staff work with Walker curators and partners from local organizations, artists, schools, and community groups. Advisory groups such as the Walker Art Center Teen Arts Council, Tour Guide Quango, and the Parent Advisory Group are likewise implemented in the department for the Walker to further build relationships with its audience.

Publishing [edit]

The Walker's long history of publishing includes the production of exhibition catalogues, books, and periodicals too equally digital publishing. From 1946 to 1954, it published the Everyday Art Quarterly; in 1954, the publication changed its proper name to Blueprint Quarterly[33] and "shifted its emphasis away from consuming pattern to understanding design'due south impact on society and its processes and methods of practise and inquiry."[34] Information technology was discontinued in 1993. The Walker's in-house design studio[35] has created countless exhibition catalogues defended to the art of Marcel Broodthaers, Trisha Brown, Huang Yong Ping, Kiki Smith, Kara Walker, Andy Warhol, and Krzysztof Wodiczko, among many others, likewise equally books on design, architecture, social practise, and other topics in gimmicky fine art. In 2011, the Walker redesigned its homepage equally an "idea hub," a news-magazine format that presents original interviews, videos, commissioned essays, scholarly writings, and newslinks. The publishing-forrad homepage was hailed as a "game-changer, the website that every art museum will have to consider from this point forward" (Tyler Light-green, Modern Art Notes)[36] and "a model for other institutions of all kinds" (Alexis Madrigal, The Atlantic).[37] The site won All-time of the Web awards at the 2012 Museums and the Web conference, including "Best Overall Site" and "Best Innovative/Experimental Site."[38] It too won a gold MUSE Award for "Online Presence, Media & Applied science" from the American Alliance of Museums.[39] In 2017, the homepage was redesigned, and the Walker'south digital publishing was rebranded under the title Walker Reader,[forty] a mag landing page that aggregates original content from the Walker'southward five verticals.

Campus [edit]

Window of a modern store, large lighted letters spelling Walker Shop in white, with the P in purple

Walker Shop memoriam for Prince on the first anniversary of his death

Located on a 17-acre urban campus, the Walker Fine art Center's 260,000 foursquare human foot, 8-story building encompasses 10 art galleries along with a movie house, theater, shop, eatery, and café, along with other special events spaces and lecture rooms.[41]

The original edifice was designed past New York-based builder Edward Larrabee Barnes and opened in May 1971. Barnes designed the building in the minimalist way of the period with a plain, modular brick exterior and expansive white spaces in the interior.[42] The construction is a unique system of galleries that spiral up around a fundamental staircase and open onto rooftop terraces. The Walker's architecture gained critical acclaim upon its opening and Barnes was awarded the American Plant of Architects Award for his work.[43] [44]

In 2005, Barnes' original building underwent a $67 million expansion designed by Swiss architects Jacques Herzog and Pierre de Meuron.[8] The add-on was built on a "town foursquare" concept meant to open up Barnes' boxlike building through attainable gathering spaces.[45] Its central element is an abstruse geometric tower made of aluminum mesh panels, built for Herzog & de Meuron by the Minnesota firm Spantek,[46] and glass windows that holds the theater, restaurant, and shop spaces. Windowed halls containing expanded gallery and atrium spaces connect the belfry to the original structure.[47]

In the summer of 2015, the Walker announced a plan to unify the Walker and the surrounding Minneapolis Sculpture Garden. Cardinal features of the renovation include a new entry pavilion for the Walker, a new hillside light-green space, the Upper Garden, and the reconstruction of the 26-year-old Minneapolis Sculpture Garden, a partnership with the Minneapolis Park and Recreation Board. The project besides implements greenish-roof technology, rainwater reclamation systems in the Garden, and the addition of hundreds of new trees throughout the campus. The Walker renovation was completed in November 2016, with the Garden reopening to the public in jump 2017.[48]

History [edit]

The Walker Art Center began with Minneapolis businessman Thomas Barlow Walker, who held one of the largest art collections in the nation.[49] In 1879, he dedicated office of his home to exhibiting the fine art to the public for free. In 1916, Walker purchased the state now known equally Lowry Colina to build a museum for his growing collection. His museum, the Walker Art Galleries, was opened on May 21, 1927.[2]

In 1939, the Minnesota Arts Council was granted command of the edifice on Lowry Hill, forth with its art collection, in order to create a borough fine art eye.[2] With the assistance of the Works Progress Assistants, building improvements were fabricated and the Walker Art Centre opened in Jan 1940.[50] Daniel Defenbacher, who led the Federal Art Projection'south Customs Art Eye program, left the WPA to become the showtime managing director of the Walker Fine art Center.[6] Effectually this fourth dimension, the Walker officially began its focus on modern and gimmicky works of art.[two]

The Walker's electric current building designed past Edward Larrabee Barnes was opened in 1971 and expanded in 1984.[51] Minneapolis Parks and Recreation partnered with the Walker Art Middle to establish the Minneapolis Sculpture Garden on the Walker'due south campus in 1988.[52]

Opened in Apr 2005, the most recent building expansion nearly doubled the size of the Walker Art Center. The expansion, designed past Herzog & de Meuron, included an additional gallery infinite, a theater, restaurant, shop, and special events infinite.[2] [53]

In June 2017, the opening of the gallery'south art garden was delayed due to protests over Sam Durant'southward sculpture Scaffold.[54]

Timeline

  • 1879 – Lumber businesswoman Thomas Barlow (T.B.) Walker opens the first public fine art gallery west of the Mississippi at his residence on Hennepin Artery in Downtown Minneapolis
  • 1927 – Walker Art Galleries opens in Minneapolis, on the current Walker Art Center site.
  • 1940 – Funded by 1939 Works Projects Assistants (WPA) grants, Walker Fine art Galleries becomes the Walker Fine art Center. Under its start Director, Daniel Defenbacher, it began to add modern and regional fine art to the eclectic collection gathered past T. B. Walker. It opens to the public with exhibitions Means to Art, Parallels in Art, and Trends in Contemporary Art, signaling its new interest in Modern Art. Defenbacher and his married woman Louise Walker Defenbacher collaborated on Design Quarterly, which showcased good modern blueprint in housewares and furniture. Jump Trip the light fantastic Festival, organized by Gertrude Lippincott, is the first operation effect at the Walker.
  • 1942 – Franz Marc, Die grossen blauen Pferde (The Large Blueish Horses) (1911) is the Walker's first acquisition of Modern Art.
  • 1946 – Everyday Fine art Gallery, curated by Hilde Reiss, opens as the first exhibition space dedicated for design in a U.S. museum. Everyday Art Quarterly (later renamed Design Quarterly) begins publication equally the beginning U.S. museum periodical on pattern.
  • 1948 – Edward Hopper, Function at Night (1940) acquired.
  • 1950 – Walker art school airtight. Defenbacher replaced every bit Managing director by H. Harvard Arnason.[55]
  • 1954 – Georgia O'Keeffe, Lake George Barns (1926) is acquired.
  • 1963 – Walker Art Center establishes the Center Opera Company, which later becomes the Minnesota Opera. Guthrie Theater opens adjacent to the Walker. John Cage, with the Merce Cunningham Trip the light fantastic toe Company, presents kickoff Walker performance.
  • 1964 – Dominick Argento'south Masque of Angels performed by the Middle Opera Company equally first Performing Arts commission.
  • 1967 – Andy Warhol sixteen Jackies (1964) acquired.
  • 1969 – Major acquisitions include Chuck Close, Big Self-Portrait (1967–1968)
  • 1970 – Performing Arts Department is formed.
  • 1971 – New Walker Art Center opens, designed by Edward Larrabee Barnes.
  • 1972 – Film/Video Department is established.
  • 1976 – The Walker becomes a public institution; T.B. Walker Foundation establishes museum endowment.
  • 1978 – Laurie Anderson performs as part of the Perspectives series, copresented with the Saint Paul Sleeping accommodation Orchestra. Summer Music & Movies in Loring Park begins.
  • 1988 – Minneapolis Sculpture Garden opens, designed by Edward Larrabee Barnes. Deputed works include Claes Oldenburg and Coosje van Bruggen's Spoonbridge and Ruby (1985–1988)
  • 1989 – Out There series of experimental performance fine art and theater begins.
  • 1990 – Regis Dialogues, a series of film retrospectives and interviews with noted filmmakers and actors, begins with Clint Eastwood and James Ivory.
  • 1992 – Minneapolis Sculpture Garden expansion opens.
  • 1996 – New Media Initiatives Department is formed with Gallery 9, a web site for internet fine art, launches with Piotr Szyhalski, Ding an sich (The Catechism Series) (1997), the offset new-media commission.
  • 1998 – Charles Ray, Unpainted Sculpture (1997) acquired.

Fine art Performs Life: Merce Cunningham/Meredith Monk/Bill T. Jones, a multidisciplinary exhibition, celebrates the Walker's long-term relationships with the artists. ArtsConnectEd, a web site featuring the collections of the Walker and the Minneapolis Institute of Art, launches.

  • 2002 – mnartists.org, a joint projection of the Walker and the McKnight Foundation, launches.
  • 2005 – Newly expanded Walker Art Heart, designed by Herzog & de Meuron, opens in April.[56]
  • 2012 - Walker Art Middle holds the commencement Internet Cat Video Festival[57]
  • 2015 - The Walker breaks ground on its renovation of the Minneapolis Sculpture Garden[48]

Direction [edit]

Funding [edit]

The Walker Art Center is supported in part by a grant provided by the Minnesota State Arts Board through an appropriation by the Minnesota Legislature from the State's general fund and its arts and cultural heritage fund.[58] To ensure the Walker's creative independence, then-managing director Kathy Halbreich forswore millions of dollars in potential land assist for the museum'due south $73.eight 1000000 expansion in 2005, a decision that resulted in a ane-year bacon freeze, some staff cuts, and the elimination of the Walker's new-media fine art program.[59]

In 2011, the Walker Art Heart reported net assets of $243 million. Its annual expenses were $22 one thousand thousand, and its endowment was at $152 one thousand thousand. The museum director's bounty is at around $375,000.[threescore]

Audience engagement [edit]

Equally of 2011, total attendance was at about 590,000 visitors, out of which 22% were Teen and Youth Visitors.[61]

Directors [edit]

  • Daniel Defenbacher, 1940–1951[62]
  • Harvey Arneson, 1951–1961[63]
  • Martin Friedman, 1961–1990[64]
  • Kathy Halbreich, 1991–2007[65]
  • Olga Viso, 2007–2017[66]
  • Mary Ceruti, 2019–present[67]

See also [edit]

  • Minneapolis Sculpture Garden
  • MNartists.org

References [edit]

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  2. ^ a b c d e Walker Art Center, "History", Walker Fine art Center Minneapolis Sculpture Garden
  3. ^ a b Walker Art Heart, "Walker Collections", Walker Art Center
  4. ^ Abbe, Mary (June 29, 1997). "Walker turns seventy (again) and celebrates". Star Tribune. p. E7.
  5. ^ Huber, Molly. "Walker, Thomas Barlow (T.B.), (1840–1928)", Minnesota Historical Society, 08 July 2015. Retrieved on 14 April 2015.
  6. ^ a b Rash, John (January 30, 2015). "The Walker'southward WPA roots are still relevant today". Star Tribune. Minneapolis, Minnesota. Retrieved 2015-06-21 .
  7. ^ "Walker Art Centre Marks 75th Anniversary with Major Institutional Advancements Including Campus Renovation, New Staff Appointments, and Expanded Cross-Disciplinary Programming". Walker Fine art Center. March 31, 2015. Retrieved 2015-06-20 .
  8. ^ a b Ouroussoff, Nicolai. "An Expansion Gives New Life to an Quondam Box", The New York Times, Minneapolis, fifteen April 2005. Retrieved on xiv Apr 2016.
  9. ^ Walker Art Center, "Almost the Program", Walker Art Center
  10. ^ Abbe, Mary. "Walker Art Heart throws itself a 75th anniversary party", Star Tribune, 16 October 2014. Retrieved on 26 April 2015.
  11. ^ Large Self-Portrait
  12. ^ Dice grossen blauen Pferde (The Large Bluish Horses)
  13. ^ Suaire de Mondo Cane (Mondo Cane Shroud)
  14. ^ Lost Forty
  15. ^ 16 Jackies
  16. ^ La Rocco, Claudia. "Museum Shows With Moving Parts", The New York Times, 31 August 2012. Retrieved on 5 May 2016.
  17. ^ "History", Minnesota Opera, 2016. Retrieved on five May 2016.
  18. ^ Walker Fine art Center, "About the Program-- Performing Arts", Walker Art Center
  19. ^ Sheets, Hilarie. "When the Fine art Isn't on the Walls: Dance Finds a Home in Museums", The New York Times, 22 January 2015. Retrieved on 5 May 2016.
  20. ^ Royce, Graydon. "Philip Bither: Getting 'Out In that location' with the ultimate insider", The Star Tribune, 8 January 2015. Retrieved on 5 May 2016.
  21. ^ Weber, Bruce. "ARTS IN AMERICA; Taking a Long View Of Temporal Dance", The New York Times, v August 1998. Retrieved on five May 2016.
  22. ^ Kennedy, Randy. "From the Properties to Their Ain Stage", The New York Times, sixteen March 2011. Retrieved on 5 May 2016.
  23. ^ Works past Wolf Vostell at the Walker Art Centre
  24. ^ Nelson, Ryan Gerald (2016-02-ten). "Insights 2016 Design Lecture Series". Walkerart.org. Retrieved 2016-03-30 .
  25. ^ "The Walker Idea Houses". Hennepin County Library Tumblr.
  26. ^ William Yardley (September ix, 2014), Mildred Friedman, 85, Dies; Curator Elevated Design and Architecture New York Times.
  27. ^ artsconnected.org
  28. ^ Dietz, Steve (2005). "äda'web." In $.25 & Pieces Put Together to Present a Semblance of a Whole: Walker Art Centre Collections, edited past Joan Rothfuss and Elizabeth Carpenter. Minneapolis: Walker Fine art Center. Retrieved 1 June 2016.
  29. ^ Weil, Benjamin. "A Brief History of Äda'web". Walkerart.org.
  30. ^ Combs, Marianne (2011), Walker Fine art Eye launches new website, Minnesota Public Radio, retrieved 12 May 2016
  31. ^ Madrigal, Alexis (2011), Museum every bit Node: What to Love Nearly the Walker Art Centre's New Website, The Atlantic, retrieved 12 May 2016
  32. ^ Schmelzer, Paul (2011), "Gamechanger": Early on reviews of the new Walker website, walkerart.org: Walker Fine art Middle, retrieved 12 May 2016
  33. ^ "Blueprint Quarterly". Walker Art Center . Retrieved June 20, 2018.
  34. ^ Blauvelt, Andrew (October ten, 2014). ""A Timeline of Design History"". Walker Art Center . Retrieved June 20, 2018.
  35. ^ "Pattern Studio". Walker Art Center . Retrieved June twenty, 2018.
  36. ^ Schmelzer, Paul (December 5, 2011). """Gamechanger": Early Reviews of the New Walker Website"". Walker Art Center . Retrieved June 20, 2018.
  37. ^ Madrigal, Alexis (December 5, 2011). ""Museum as Node: What to Honey About the Walker Art Center's New Website"". The Atlantic . Retrieved June 20, 2018.
  38. ^ ""All-time of the Spider web Winners"". Museums and the Web . Retrieved June 20, 2018.
  39. ^ ""2012 MUSE Award Winners"". American Alliance of Museums . Retrieved June 20, 2018.
  40. ^ "Walker Reader". Walker Art Center . Retrieved June 20, 2018.
  41. ^ Walker Fine art Center, "Expanded Walker Art Center to Open in Apr 2005", Walker Art Heart Expansion
  42. ^ Baluvelt, Andrew. "Edward Larrabee Barnes", Walker Fine art Middle, 1 April 2005. Retrieved on 21 Apr 2016.
  43. ^ Boniface, Russell. http://info.aia.org/aiarchitect/thisweek06/1208/1208n_gold.htm "Edward Larrabee Barnes, FAIA, Selected for 2007 AIA Gold Medal"], American Plant of Architects, 2007. Retrieved on 21 April 2016.
  44. ^ Caniglia, Julie. "From the Archives: 1971 and 'everything that is farthest out on the electric current art scene'", Walker Art Heart, 23 December 2011. Retrieved on 21 April 2016.
  45. ^ Herzog & de Meuron. "Walker Art Heart, Expansion", Herzog & de Meuron, 2001. Retrieved on 21 April 2016.
  46. ^ "Walker Fine art Center". Spantek/ UMI Company, Inc. Retrieved December 8, 2018.
  47. ^ Ryan, Raymund. "Herzog & de Meuron. The Walker Art Heart", Domus, 11 May 2005. Retrieved on 21 April 2016.
  48. ^ a b Minneapolis Park and Recreation Board, "Minneapolis Sculpture Garden Reconstruction and Cowles Conservatory Renovation", Walker Art Centre Reconstruction
  49. ^ Whitmore, Janet (Autumn 2004). "Presentation Strategies in the American Gilded Historic period: One Case Study". Nineteenth-Century Art Worldwide. Association of Historians of Nineteenth-Century Fine art (AHNCA). Retrieved Dec 4, 2021.
  50. ^ "Administration of the State WPA/FAP: Minnesota, [Walker Fine art Center] 1940". Archives of American Art. Smithsonian Establishment. Retrieved 2015-06-21 .
  51. ^ Walker Art Eye, "Building and Campus", Walker Art Heart Minneapolis Sculpture Garden
  52. ^ Bina, Lauren. "Minneapolis Sculpture Garden: 1988 Opening Day", Walker Art Centre, 16 July 2015. Retrieved on 14 Apr 2016.
  53. ^ Ouroussoff, Nicolai (Apr xv, 2005). "An Expansion Gives New Life to an Onetime Box". The New York Times.
  54. ^ Eckardt, Stephanie (June 1, 2017). "Hither's I Fashion to Bargain with Problematic Artworks, Like Sam Durant's Scaffold: Burn Them". W.
  55. ^ "Oral history interview with H. Harvard Arnason, 1970 Mar. 3–ix". Oral history interviews. Athenaeum of American Art. 2011. Retrieved 17 Jun 2011.
  56. ^ "Walker Fine art Center Timeline" (PDF). Walker Art Eye Minneapolis Sculpture Garden.
  57. ^ Ryzik, Melena (2012), "At Cat Video Film Festival, Stars Purr for Close-Ups", The New York Times, nytimes.com, retrieved 12 May 2016
  58. ^ "Support - Walker Art Center". Walkerart.org. Retrieved 2014-01-26 .
  59. ^ Carol Vogel (March 20, 2007), Influential Director Resigns at Minneapolis Art Center New York Times.
  60. ^ Shane Ferro (July 25, 2012), Every bit MOCA's Money Woes Simmer, A Wait at How Major Museums' Finances Work ARTINFO.
  61. ^ "2010-2011 Walker Art Center Annual Report". Walkerart.org. Retrieved 2014-01-26 .
  62. ^ Defenbacher, D. S. (Daniel Southward.), 1906-1986 Social Networks and Archival Context.
  63. ^ Brian Boucher(May x, 2016), Longtime Walker Art Middle Director Martin Friedman Dies at 90 Artnet News.
  64. ^ Mary Abbe (May 11, 2016), Martin Friedman, former Walker Art Center managing director, dies at xc Star Tribune.
  65. ^ Grace Glueck (November ten, 1990), A Museum Principal Greets the Fray New York Times.
  66. ^ Carol Vogel (September 12, 2007), Hirshhorn Director to Head the Walker in Minneapolis New York Times.
  67. ^ Pogrebin, Robin (2018-11-13). "Walker in Minneapolis Raids Long Island City for New Managing director". The New York Times. ISSN 0362-4331. Retrieved 2019-02-25 .

External links [edit]

  • Official website

schollthendous1937.blogspot.com

Source: https://en.wikipedia.org/wiki/Walker_Art_Center

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